第74部分 (第5/7頁)
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f basket filled with lumps of ore; designed to be carried on the back and fitted with two flat loops of hide; with a breast…strap connecting them; something on the principle of a children’s toy reins。 Growing near by a plant of the aloe tribe; the bottom leaves dead; and some of those above scratched in their fleshy substance; as though for amusement。
Walking up the slope towards the pair a coarse; strong; vigorous; black…bearded man with projecting eyes。 He is clothed in white robes and wears a queer…shaped hat or cap; I think with a point to it。 From an ornamented belt about his middle hangs a short sword in a scabbard; with a yellowish handle ending in a knob shaped like to the head of a lion。 He carries over his head a painted umbrella or sunshade that will not shut up; and is made either of thin strips of wood or of some kind of canvas stretched on a wooden frame。
General idea connected with the dream is that this man is an overseer of slaves who is about to kill the injured person as useless and take the woman for himself。 She might be the daughter of the injured man; or possibly a wife a good deal younger than he。 In any case she is intimately connected with him。 Further idea。 That the injured man was once an individual of consequence who has been reduced to slavery by some invading and more powerful race。
The characteristics of the site of the picture remind me of Cyprus。
I described these tableaux to Sir Oliver Lodge when I met him in the Athenaeum not long ago; and asked him his opinion concerning them。 He was interested; but replied that if they had appeared to him he would have thought more of them than he did as they had appeared to me; because he said that he lacked imagination。 The curious little details such as that of the dar