第80部分 (第3/7頁)
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nt to the Sun in “Allan Quatermain”; the scene where Eric Brighteyes finds his mother dead — which Lang declared was “as good as Homer” — and the subsequent fight in the hall at Middlehof; the description of the wolves springing up at the dead body in the cave in “Nada the Lily”; the transformation in the chapter called “The Change” and “The Loosing of the Powers” in “Ayesha”; a speech made by the heroine Mameena as she dies; in an unpublished work called “Child of Storm;” with the rest of her death scene; the account of the passion of John and Jess as they swung together wrapt in each other’s arms in the sinking waggon on the waters of the flooded Vaal; and; oh! I know not what besides。 When one has written some fifty books the memory is scarce equal to the task of searching for plums amidst the dough。 Also; when one has found them; they seem on consideration to be but poor plums at best。 Also one thinks differently of their relative merits or demerits at different times。 For instance; how about “She’s” speech before she enters the fire? and the holding of the stair by old Umslopogaas? and the escape of the ship in “Fair Margaret”? or the battle of Crecy in “Red Eve”? If I am asked what book of mine I think the best as a whole; I answer that one; yet unpublished; to my mind is the most artistic。 At any rate; to some extent; it satisfies my literary conscience。 It is the book named “Child of Storm;” to which I have alluded above; and is a chapter in the history of “Allan Quatermain。” Of Allan; for obvious reasons; I can always write; and of Zulus; whose true inwardness I understand by the light of Nature; I can always write; and — well; the result pleases at least one reader — myself。 Whether it will please others is a different matter。
So; at last I have tried t