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a few years ago discussing this matter fully with my friend Mr。 Rudyard Kipling; a most eminent practitioner of that craft; and finding that our views upon it were very similar; if not identical。 He pointed out; I recollect; that all fiction is in its essence an appeal to the emotions; and that this is not the highest class of appeal。 Here; however; we have a subject that might be argued interminably and from many points of view; especially when we bear in mind that there are various classes of imaginative literature。 So far as I am concerned the issue is that though I feel myself more strongly drawn to other pursuits; such as administration or politics or even law; I have been called upon to earn the bread of myself and others out of a kind of by…product of my brain which chances to be saleable; namely; the writing of fiction。
It is fortunate for writers that they do not depend wholly upon the verdict of a hundred or so of contemporary critics。 The history of literature and art goes to show that contemporary criticism seldom makes and never can destroy a reputation; in short; that Time is the only true critic; and that its verdict is the one we have to fear。 It is in the light of this axiom that I proceed to consider my own humble contributions to the sum of romantic literature。 I can assure the reader that I approach this not unamusing task without any prejudice in my own favour。 The test of work is whether it will or will not live; whether it contains within itself the vital germ necessary to a long…continued existence。
Now; although it may seem much to claim; my belief is that some of my tales will live。 Possibly this belief is quite erroneous; in which case in years to e I may be laughed at for its expression。 It is obvious also that a great deal of w